William Orbit
LEAF 2013, London
10 November 2013
Well, that and Britney Spears. As one of the UK’s leading producers, Orbit is in demand among the upper tiers of commercial pop music as a songwriter, studio fixer and remixer. He wouldn’t say this himself, but there is a strong argument that he rescued Madonna’s career with her Ray of Light album. Britney’s comeback needed some oomph, as well, so he recently found himself Stateside working on her next single, Alien. The regularity of such assignments will make it difficult to teach normal classes, and he’s given up drinking, so the quadrangle of an appropriately prestigious university will have to wait for another day.
Eno certainly would have appreciated Orbit’s demonstration of a new toy, the Gogobot: a robotic machine that played rhythm on a traditional drum set with added percussion. While Torch Song collaborator Rico Conning supervised the machinery [Editor’s note: Conning is also its inventor], Orbit used it to accompany sounds issuing from his laptop. As Orbit confessed to a love for steam power, as part of a diversion into the influence of digits (fingers) on counting systems, it is perhaps a matter of time before he develops a steam-punk version.
Orbit’s manner is entertaining and informative. Perhaps there is a market for spoken-word shows with audience questions for record producers – as Kevin Smith has done on the back of his successful films and podcasts. If so, then it would be easier for Professor Orbit to schedule lectures between pop hits and Youtube experiments than to squeeze the music into end of term breaks.