Daniel Miller (Photo: Diane Zillmer)
It is common knowledge that Daniel Miller was inspired by the writings of J.G. Ballard when he came up with the lyrics for “Warm Leatherette.” It is less well known that his imagination was fuelled by the sounds of actual car crashes taking place at Henlys Corner, just a short distance from the house where he lived with his mother in North London. As Miller lay in his room at night, he could hear the vibrations of violent collisions drifting through his open window.
One of Miller’s contributions to STUMM433, the forthcoming release from his Mute label, is an ambient recording of the sound outside his former residence at 16 Decoy Avenue. His performance of John Cage’s 4′ 33″ is only the third time that he has recorded as The Normal, and it forms part of a compilation issued to raise funds for mental health and tinnitus charities.
Cage’s infamous work requires performers to avoid playing instruments for four minutes and thirty-three seconds. Instead, they play with the audience by upsetting their expectations and drawing attention to the sounds they are making themselves. Coughs, rustling of programmes and the sounds of breathing are common elements in concert settings.
Miller, himself, appears several times on the album, as The Normal, Silicon Teens and part of Duet Emmo (his collaboration with Bruce Gilbert and Graham Lewis). We will have to wait to see if the Fad Gadget contribution is from Miller’s studio time with Frank Tovey. Other featured artists include:
If that wasn’t enough, the vinyl version of the release will be spread across five LPs in a box set with designs from Anton Corbijn and Malcolm Garrett, among others. As Mute note:
Each artist has created a visual to accompany their performance and a selection of28 designers associated with Mutehave contributed artwork inspired by 4’33”, includingSimone Grant, who worked with Miller on a lot of the early Mute artwork (The Normal, Fad Gadget and Depeche Mode);Steve Claydon, a member of Add N To (X) who designed for Goldfrapp;Slim Smith, who worked with Mute through the 1980s and 1990s;Malcolm Garrett, who designed the House of Illustrious box set for Vince Clarke and Martyn Ware;Tom Hingston, who has worked with Erasure and created the majority of Nick Cave & The Bad Seeds and Grinderman artwork since the early 2000s andAnton Corbjin, who has worked closely with Mute on many campaigns since the early 1980s, including Depeche Mode, Nick Cave & The Bad Seeds and Fad Gadget.
Box set purchasers will also receive a set of candles infused with the scent of silence, as imagined by Joseph Quartana of Six Scents Parfums.