Encased in Sound: Twice a Man’s Cocoon
Like Wire, Twice a Man never make the same album more than once. Their sound might have consistent elements, but each release is an exploration of new combinations and treatments…
Like Wire, Twice a Man never make the same album more than once. Their sound might have consistent elements, but each release is an exploration of new combinations and treatments…
The second album from Anna Öberg is a grittier affair than her previous effort. Vafan har jag gjort! [EN: “What the Fuck Have I Done!”] doesn’t come with a question…
Denmark hasn’t produced a lot of electronic artists of note. Nephew established a reputation as “the Danish Depeche Mode” (it seems that every country has one), but they have come…
Machinista’s third studio album is an evolution from those that preceded it. The band’s live show has developed in the four years that have intervened since the last one, too…
13 Ghost Stories is the second concept album from the Jean-Marc Lederman Experience. Coming four years after The Last Broadcast on Earth, it is even more ambitious than its predecessor.…
Finland’s Lau Nau and Pekko Käppi braved the trip to London to deliver what might be the most special show before Brexit.
LAIBACH 02 SHEPHERD’S BUSH EMPIRE LONDON, 1 MARCH 2019 Laibach might seem bonkers. They might even be bonkers. But there is a lot of method behind their staging of The…
Mark Stewart, The Pop Group vocalist and bard of conspiracy theories, is having one of his best solo LPs reissued with added materials from the archives. Learning to Cope with…
Sweden’s Cryo do EBM better than most. Martin Rudefelt extracts sounds from his old school synth collection that are distinctive and deliberate, while creating evocative atmospheres. It’s a trick that…