We have repeatedly described Karin My as “Sweden’s secret weapon.” Raised in the south of the country, she absorbed the futuristic sounds of Kraftwerk and Tangerine Dream, sitting alone in a room with vinyl provided by a family friend. The kling-klang and ambient pads of German synthesists inspired her life in music: from busking in Gothenburg to sprinkling magical dust on the works of leading artists. My writes delicate and poignant songs of her own, but she has a reputation for transforming the material of collaborators with elegant alchemy.
The multi-instrumentalist is self-taught, having built up her knowledge in steps. As My told ELECTRICITYCLUB.CO.UK in an interview:
From the money I got picking strawberries, I bought my first piano. Then I found a drum kit in a garage, got it for free and spent one year torturing the neighbours, but at least I got good enough to play drums and sing in a jazz n’ blues band, with some good old silver foxes. I then bought my first cello, learned how to use it and that was a long-time dream coming true.
My was “discovered” several times over, busking near Gothenburg’s largest shopping mall. Local promoters stopped to listen to her unplugged covers of futurepop bands, including Apoptygma Bezerk and VNV Nation. The TV4 channel included her in a feature about unusual street artists. Twice a Man’s Dan Söderqvist found her at an event where she appeared directly from her normal patch in an underpass. My’s modesty prevented her from pushing herself to the front of the pack, but it was clear from the beginning that her talent is something special.
10. Twice a Man feat. Karin My – High in the Clouds
Twice a Man are Swedish legends. They changed their name from Cosmic Overdose when they supported New Order, because the promoter thought it sounded too hippy-like. In fact, the band combined psychedelic and new wave elements in equal measure. Their sound has evolved over the decades, but the group continues to bear fruit that reflects their roots. My’s vocals blend to add generous notes that highlight the terroir.
9. Xenturion Prime – Distant Voices
The Swedish/Norwegian duo picked up My for their 2022 Prisma album, including her on this fragile, haunting track. The magic dust was sprinkled generously.
8. Carbon Based Lifeforms – Gryning
We know Johannes Hedberg and Daniel Vadestrid best as the amazing Thermostatic, but their ambient electronic work as CBL has gone on for longer and reached much larger audiences. My is one of their key collaborators, adding a sensitive touch that doesn’t overwhelm the base material.
7. Karin My – Mia och Tom
An acoustic cover of the classic Page track, slowed down by My and reduced to its core elements. Page regularly produce poptronica perfection, and this version shows off the quality of Eddie Bengtsson’s songwriting and My’s skills as a performer.
6. AEX – Endless Night
No, not the Christian metal act. This AEX is Æon deuX, the Danish group launched on Claus Larsen’s LÆBEL. My adds atmospheric cello here that is unmistakably her own.
5. Rekk feat. Robert Enforsen and Karin My – The Man in Grey
Recorded for the Rational Youth tribute, Heresy, this version of “The Man in Grey” was organised by Kevin Komoda with Elegant Machinery’s Robert Enforsen and My providing input.
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4. Gasleben & Electric Friends – Sunday
Karl Gasleben of Twice a Man formed this side project to work with close friends and collaborators. My is one of his go-to artists, and she joins Peter Davidson to add vocals here.
3. 20Hz – Exit North
Erik Ångman is 20Hz. Of this track, we said in our review:
Exit North” approaches the sensibility of Ryuichi Sakamoto, with its considered but artful use of piano. The delicacy of the keyboard is supported by atmospheric cello work provided by Karin My – Sweden’s secret weapon. It’s a beautiful, enveloping track that unfolds like fine linen.
2. Machinista – Astrid
John Lindqvister wrote this song with his daughter in mind. Originally set to electronics by Richard Flow, the band decided to take it in a different direction. My’s contribution gave it the cinematic feel it needed.
1. Karin My – The Silence
My’s first solo album was released in 2022. Silence Amydala was a surprisingly restrained but unified set of songs. Crafted together with her producer, D. Kaufeldt, it was a very personal experience for My. As she explained to ELECTRICITYCLUB.CO.UK, “Every story I tell has a grain or a mountain of truth to it.”
Sweden’s legendary act, Twice a Man, have released a tour of their output between the years 1982 and 2022. The material is collected on Songs of Future Memories, a 
If you’re going to call your band Cosmic Overdose, you’re going to have to deal with some preconceptions. The first is that you are a bunch of hippies, sitting in fairy rings and tripping on mushrooms. The second is that your material consists of overblown guitar solos. If your music is actually varied and complex, inspired by dada, punk and experimental electronics, and you are meant to be warming up for New Order, then it might be time to rethink the name.
If there is a surprise in the recently issued 
The first album they shared with the world was Dada Koko. From the opening number, “Investera i Framtida,” with its synthetic waves, it was clear that something new was being born. “Modern Dadaister” isn’t a million miles from XTC’s jerkier sound, when it starts, before growing into something trippier. There is a moment of calm in the arc of the album before “Tanten” explodes with a burst of dark energy. The Arp synth returns on the album closer, “
The second album, 4668, showed that the Swedes had absorbed something from Joy Division. As the Manchester doom-meisters had done, Cosmic Overdose were starting to push through the punk chrysalis to emerge as something more electronic. Their transformation into Twice a Man would put them at the forefront of the Swedish synth scene and keep them in its top tier for a generation. In the meantime, fans had the brooding “Android,” the well-crafted “Nina Fontanell” and the charming “Liten Storsint” to contemplate.
The third CD in this package collects live recordings, singles and strays from the archives. “Observation Galen” from 1979 is here with its B-side, “Isolatorer.” Then there are live versions of “Suicide Case,” “Ruta Nr 1” and “Läckan” from a show the same year in Kalmar. They reveal a band confident in its presentation with spellbinding material. Further live sessions follow from shows in Oslo, Lund and Stockholm (with an appearance by Lars Falk on “Väx och Njut”) before the album closes with the single, “To Night.”